









Ten works, arranged as a core sample. Each one begins with what the site already holds: its climate, its materials and its people, read before anything is drawn.









Climate before form. A December sun and shadow study, junctions specified to the millimetre, a section cut through a timber model. Drawings are where the studio does its thinking, so they are kept in view rather than filed behind the photographs.
The wordmark, packed from the primitives the studio tests a plan with: points sampled inside the letter, each one sized by the clearance it has, overlaps rejected, the whole pack relaxed until it settles.
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